Thank you to Harper Teen, Simon Teen, and Mahogany L. Browne for allowing me to receive finishing copies of the following books. Originally, these novels were meant for my Instagram Kwanzaa Giveaway. But, I wanted to give back to my subscribers for Martin Luther King, Jr. Day.
Synopsis: This coming-of-age debut novel explores issues of race, class, and violence through the eyes of a wealthy black teenager whose family gets caught in the vortex of the 1992 Rodney King Riots. Ashley Bennett and her friends are living the charmed life. It’s the end of senior year. Everything changes one afternoon in April, when four LAPD officers are acquitted after beating a black man named Rodney King half to death. Suddenly, Ashley’s not just one of the girls. She’s one of the black kids.
As violent protests engulf LA and the city burns, Ashley tries to continue on as if life were normal. With her world splintering around her, Ashley, along with the rest of LA, is left to question who is the us? And who is the them?
Synopsis: A novel-in-verse about a young girl coming-of-age and stepping out of the shadow of her former best friend. Perfect for readers of Elizabeth Acevedo and Nikki Grimes.
She looks me hard in my eyes & my knees lock into tree trunks My eyes don’t dance like my heartbeat racing They stare straight back hot daggers. I remember things will never be the same. I remember things.
With gritty and heartbreaking honesty, Mahogany L. Browne delivers a novel-in-verse about broken promises, fast rumors, and when growing up means growing apart from your best friend.
Synopsis: Justin A. Reynolds, author of Opposite of Always, delivers another smart, funny, and powerful stand-alone YA contemporary novel, with a speculative twist in which Jamal’s best friend is brought back to life after a freak accident . . . but they only have a short time together before he will die again.
Jamal’s best friend, Q, doesn’t know he’s about to die . . . again.
He also doesn’t know that Jamal tried to save his life, rescuing him from drowning only to watch Q die later in the hospital. Even more complicated, Jamal and Q haven’t been best friends in two years—not since Jamal’s parents died in a car accident, leaving him and his sister to carry on without them. Grief swallowed Jamal whole, and he blamed Q for causing the accident.
But what if Jamal could have a second chance? An impossible chance that would grant him the opportunity to say goodbye to his best friend? A new health-care technology allows Q to be reanimated—brought back to life like the old Q again. But there’s a catch: Q will only reanimate for a short time before he dies . . . forever.
Jamal is determined to make things right with Q, but grief is hard to shake. And he can’t tell Q why he’s suddenly trying to be friends with him again. Because Q has no idea that he died, and Q’s mom is not about to let anyone ruin the miracle by telling him. How can Jamal fix his friendship with Q if he can’t tell him the truth?
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I saw in your talk with Madeline Dyer for 2020’s YA Thriller Con that one of the inspirations behind this novel came from the loss of your uncle in Jamaica. I’d first like to extend my condolences for this personal loss. I know as an artist, drawing on personal pain is sometimes a source of inspiration. But, how were you able to balance grieving while also going through the writing process of telling such a detailed story about gang culture, police brutality, and political intrigue without being sucked back into that headspace?
Desmond Hall: I really like what the great actor Francis McDormand said about her art. She felt she had to figuratively pick at her wounds to keep them fresh, so she’d be able to access her pain, and apply it to her work. She actually dreaded the closing of her psychological wounds. This is a type of method acting that I think applies to writing as well.
A:So often, the way that many people get introduced to Jamaica is as a country that’s akin to “paradise.” In my course on Globalization and Transnationalism, we watched the documentary Life and Debt, which spoke about how often we as tourists are never seeing the “real” Jamaica or partaking in the actual culture when we come to this island to visit. This made me think of how when reading your novel, readers are introduced to another viewpoint of your homeland that lingers just under Jamaica’s surface in the form of gang culture. Why did you feel that this story was important to talk about as a Jamaican?
DH: Your Corner Dark is a specific story, but also a universal one. The book touches on police brutality, gang culture, defining masculinity, and political intrigue. Those topics are just as relevant here in the States. I’m just telling the truth that I know.
A:In your talk with Dyer, you mentioned that the title of your book is the Jamaican equivalent of the saying, “between a rock and a hard place.” In true fashion, Frankie is stuck between two worlds. On the one hand, he is a student who aspires to be an engineer and create things that will ease the hardships of he and his neighbors’ lives. Yet, Frankie is also living in a world that wants to box him in and make him become a part of gang culture even though everyone around him acknowledges that Frankie is “too smart” to go down this path. How did you balance telling Frankie’s story between these two realities while making it believable?
DH: I think one of the keys is Frankie’s interiority. We get to know how he experiences the angst of having a father who he feels doesn’t understand him. We understand Frankie’s fear and admiration for a dangerous and charismatic uncle. We sympathize with the evil acts he feels compelled to commit. We also get to feel his shame when he ventures into a social class above his rank, and gets intimidated by sushi.
A:One of my favorite parts of Your Corner Dark is the usage of Jamaican patois, the “unofficial language of Jamaica.” For me, the richness of this dialect draws from hearing Jamaicans speak their language out loud, similar to how I feel about hearing African-American Vernacular English (AAVE) being spoken. This got me thinking about Nate Marshall’s poetry collection, Finna, where he mentions that AAVE isn’t necessarily a dialect that’s meant to be written down but is meant to be spoken. Did you find a similar issue come up with your characters as you shaped their dialogue?
DH: I’m not familiar with Mr. Marshall’s thoughts on the matter, but I do believe It’s important to note that a lot of Jamaicans speak the Queens English as well as patois (Patwah in Jamaica). We have a lot of fun with the language, verbally, and in written form. In fact, a lot of the newspapers run social commentary cartoons, and the characters often speak in a thick patwah.
A:I mention this because, at one point in the story, when Frankie hears Leah “chat patois,” he is shocked because he says that some Jamaicans aren’t comfortable with speaking in patois. As a reader who is not an #OwnVoices reviewer, I was unsure if this was indicative of the class issue between Leah and Frankie, which is a topic that comes up several times, or if there was a variation of the dialect that Frankie, a person from the country would speak, versus Leah, who is from the city.
The Jamaican upper middle class has a tendency to be very conservative, even to the extent of reviling Rastafarians, even though Rastas are featured in our tourism advertising. This disdain also extends to speaking patwah. It’s similar to how some Americans look at the southern drawl (Dolly Parton actually points this out!). Frankie is aware that Leah is from the upper middle class as most kids are in his fancy school, and he worries that Leah may harbor some of those upper middle class tendencies.
A: In your talk with Dyer, you also mention that Your Corner Dark is your “love letter to Jamaica.” What is the one thing you want your readers to take away from this story?
DH: I want them to understand more the complexity of Jamaica. Seven days and six nights at the resort won’t show people the real Jamaica, even with excursions.
A:Your background as a screenwriter really shines in this novel! As I was reading Frankie’s story, I was in awe of the fact that so much of the story’s content’s felt as if they are primed to be on the “big screen.” Have you thought of turning this book into a screenplay?
DH: It’s funny you ask because I’d originally written this story as a screenplay, and back in the day, it was a runner up in the IFP Screenwriting contest in NYC.
Over the last few months, we’ve been having meetings with a few TV producers, so we’ll see.
A:You also mentioned that you moved from Jamaica to Jamaica, Queens in New York City. Does this shift in geographical location have any bearings on the types of stories you write about?
DH: I think all my experiences come into play when I write. I remember talking to the great screenwriter, Budd Schulburg. I asked him how he came up with that great line from the awesome movie, ON THE WATERFRONT. “…I coulda been a contender…instead of a bum.” He said he was in Gleason’s boxing gym, and overheard a palooka saying those words to his manager. Mr. Schulburg said he quickly jotted down the line because he knew he would use it in a script one day. That day didn’t come until many years later, but he knew to catalogue the encounter. Essentially, he was telling me to draw from all my experiences, and use anything relevant to help render the story I want to tell.
A:What are some of your writing influences or authors you deem as “must-read?”
I’m moved by Richard Price, and how he imbues crime stories with so much humanity. I wish I could be as harshly real as James Baldwin or as deep as Toni Morrison.
In the YA space, I love reading Jason Reynolds and Courtney Summers.
A:Do you have any advice for aspiring writers?
-Grubstreet is a great writing school.
-There’s a famous quote about how published authors are the ones who didn’t give up.
-The SAVE THE CAT book(s) are quick and easy ways to add the power of story structure to your arsenal. If you want a more in depth way, take the Mckee Story Class, and buckle up.
Thank you so much for your time and for the opportunity to interview you, Mr. Hall!
Desmond Hall was born in Jamaica, West Indies, and moved to Jamaica, Queens. He has worked as a high school biology and English teacher; counseled teenage ex-cons after their release from Rikers Island; and served as Spike Lee’s creative director at Spike DDB. Desmond has served on the board of the Partnership for Drug-Free Kids and the Advertising Council and judged the One Show, the American Advertising Awards, and the NYC Downtown Short Film Festival. He’s also been named one of Variety magazine’s Top 50 Creatives to Watch. Desmond lives outside of Boston with his wife and two daughters.
Set in 1930s India under British rule comes the story of chess master Malik Mir Sultan Khan. Forgotten by the world but renowned for his chess acumen, Sultan Khan is a historical figure that Paolo Maurensig reimagines from the notebooks of a fictional reporter at the Washington Post. The author fills in Sultan Khan’s life’s details using “what if” scenarios and the scraps he finds from the chess player’s history.
As a reader, this story was engrossing from a plot perspective. Maurensig introduced us to the character, Sultan Khan, at the end of his life, and from there, the author starts off the chess champion’s story. Going from a young village boy with humble beginnings to becoming Asia’s most renowned chess champion of his time makes the character a formidable subject. Yet, when Maurensig delved into his plotline about a blind heiress and the potential that Sultan Khan was believed to have been the woman’s killer, I tuned out.
For me, the depiction of Sultan Khan in such a stereotypical role being framed for being capable of this type of action seemed steeped in his “Otherness” as an Indian. The passivity of Sultan Khan’s character also detracted from how I interacted with the book. While reading, I felt as if this character was passive about his existence and experiences as others were moving him around. I wanted to see him become more assertive when it came to deciding his fate. Thus, while this book had masterful writing, I would have liked to see a different outcome for Sultan Khan than Maurensig provided.
In real life, according to The Oxford Companion to Chess, Sultan Khan was a chess player that became one of the world’s top ten best chess players regardless of not being able to read or write and never learning any openings for himself since he could not study chess hooks without those skills. He was known as a “positional player” and worked best as a middle-player. Sultan Khan was deemed a “genius” by José Raúl Capablanca, a major chess prodigy of his time. Yet, as Maurensig wrote, the chess player suffered from malaria and frequent cold and throat infections during his Europe tour.
In 1933, Sultan Khan went back to India due to being summoned home by Sir Umar, his benefactor. At that time, Sultan Khan was given a small farmstead by Sir Umar near his birthplace in Punjab, where he spent the rest of his life. Sultan Khan’s children were quoted as saying that he wanted them to do something “more useful with their lives” than playing chess, like him. After playing his last chess game in 1935, Sultan Khan disappeared from the chess world and later died of tuberculosis.
For lovers of suspense novels and mysteries, Game of the Gods is a short read if taken as pure fiction, and the bent toward Orientalism is ignored. However, if you are looking just to pass the time, I would suggest watching “The Queen’s Gambit” on Netflix.
Thank you to @RandomTTours and Mrs. Rodríguez Drissi for my finished copy of Until We’re Fish!
In a virtual talk with Harvard Book Store, Susannah Rodríguez Drissi says of her title, Until We’re Fish, that “fish are bounty…they speak of potential.” For her, the loose translation of her title means “until [the characters] are able to claim a space for [them]selves and feel like [they] belong,” they will always feel like “fish out of water.” And nothing can be more accurate for the three main characters, Elio, Maria, and Pepe, as the reader follows them on their journey into adulthood over a span of thirty years in Cuba.
Set from 1958 to the 1990s, Until We’re Fish by Susannah Rodríguez Drissi, is a coming-of-age story. Elio, Maria, and Pepe grow up during the tumultuous years of the Cuban Revolution. As the novel unfolds, each character is forced to make hard choices as they wrestle with the futures they desire for themselves while living in the unfair world that the revolution creates.
As a girl, Maria dreams of freedom and moving to Chicago after spending years reading the Sears catalog. However, Elio, her neighbor, only dreams of Maria and owning a Schwinn bike. In direct competition with Pepe, his friend and rival for Maria’s heart, Elio holds out hope that Maria will be his.
Rodríguez Drissi’s prose is distinct as she narrates the lives of her characters. This author’s descriptive portrayal of Cubans trying to fight to survive succeeded in drawing me in as a reader because I could picture revolutionary Cuba during the 50’s going forward. And as a lover of languages, having the author use rich references and imagery to her home country and the novel, Don Quixote, helped build suspense about what choices her characters would make regarding their lives and fleeing Cuba. However, it also drives home the point that the Cuba mainland Americans imagine pales compared to the world that native Cubans inhabit or for the world those who immigrated left behind.
Until We’re Fish is an authentic tale about survival, love, and coming of age in a world where nothing is a sure thing. Lovers of Chanel Cleeton’s When We Left Cuba and Next Year in Havana will enjoy returning to Cuba from the perspective of Cubans who were left on the island or chose to stay as revolution broke out.
For all the chaos of 2020, I had an excellent reading year.
I found myself gravitating more toward fantasy novels and doing a lot more rereading than usual as a means of escaping into “alternate realities” or books that were a comfort to me in my childhood.
Each of the featured books below are ones I loved or feel that I would revisit in the future.
The House in the Cerulean Sea by TJ Klune
This book was such a joy to read! If you loved reading fairytales as a kid or want to read more fantasy novels, this book is a must read! It’s also a wonderful audiobook.
In a year of chaos and pandemic, Klune’s novel shows the side effects of burnout on people in helping professions. The House in the Cerulean Sea also details how the child welfare system fails children over time. The characters in Klune’s novel are ones that will stay with you long after the book closes.
Initially published in French, Dabos’ series is full of tomfoolery and shenanigans set around a world built on Classic Western Mythology. The main character of the series, Ophelia, is the odd one out in her family that has the gift of walking through mirrors.
Sent away to the sky palace of Clairdelune to marry Thorn, another outcast from the who has a detailed memory, Ophelia is on her own for the first time to be the person she’s always desired to be. From here, chaos ensues.
Crick Crack, Monkey by Merle Hodge
I really enjoyed reading this classic Caribbean novel by Merle Hodge.
Crick Crack, Monkey follows Tee, the main character, as she comes into her identity as a Black Trinidadian girl in a post-colonial nation. The novel was accessible and showed the differences in the class structure in this island nation.
Tee is shuttled between two aunts of varying class and economic levels and made to piece together an identity through her experiences with both. Hodge’s novel was short, but it packed a punch.
In this text, Freire argues that teachers must open dialogue and facilitate critical thinking around subjects instead of spoonfeeding students lessons to regurgitate. By opening critical discussion around issues, the educator will build stronger learners that can become self-actualized.
Coupled with this, the chapters about how the oppressed seek out liberation blew me away. The idea that everyone can be an oppressor and the oppressed gave me a lot of food for thought. This text is one I hope to revisit in the future.
Frying Plantain by Zalika Reid-Benta
The task of a first or second-generation child of immigrants is to pick up the hopes and dreams of their parents and to carry them over the threshold of success. Often times, it’s not important what that child wants, but more importantly is how they add to the legacy of their family. Thus, these children live within a confined space that is both real and imagined, between cultures that they can never honestly explain until they meet someone else with a similar burden to carry.
Kara’s story in Frying Plantainleads me to wonder, what parts of our cultures do we inherit, and what is learned as people immigrate to new places? Likewise, how does the meaning/practice of culture change as each generation gains new information and comes into contact with new technologies that shift the way that certain traditions are carried out?
It starts cliched with the main female lead, Liya, a successful biochemical engineer sneaking out on a dinner they put together with the family of Jay Shah, a potential suitor. Unfortunately, Liya bumps into him on the way out, and of course, the two end up being forced to work together as the novel unfolds.
If you are a reader who enjoys multi-layered characters and non-generic romances, this book is for you! Jay and Liya both have a traumatic past, and Patel has each of them work through their trauma before giving them their happy ending. I appreciate that Patel showed the real aspects of trauma in a person’s life and how they play out in interpersonal relationships and across a community.
Throughout this series, Taylor has the Logan children fight for their agency as Black people before they really even know what they’re fighting for. I’ve read this series countless times over the years, but it always hits differently each time. I highly recommend it!
Thanks to Terminal Tours, I was able to get an advanced readers copy of the fantasy-themed short story anthology, A Universe of Wishes: A We Need Diverse Books Anthology. This anthology was edited by Dhonielle Clayton and included authors like Samira Ahmed, Zoraida Córdova, Kwame Mbalia, Tochi Onyebuchi, and many more authors of colors.
In her editor’s letter, Clayton talks about growing up as a reader of color and not seeing herself in fantasy novels. This was something that I could relate to. While I always had stories, like The Logan Family Saga by Mildred D. Taylor or The Skin I’m In by Sharon G. Flake, to read if I wanted to see real-world images of myself in the 90s if I wanted to read a fantasy novel with African-American characters, my pickings were slim.
Reading through A Universe of Wishes, I was pleasantly surprised to read stories, like “Liberia” by Kwame Mbalia, where readers are shown a story of where the love of one’s family takes center stage. Having Mbalia speak to African-Americans’ collectivist nature and centering the magic of this cultural trait warmed my heart.
Likewise, reading “The Takeback Tango” by Rebecca Roanhorse, where a teen thief sets out to reclaim her planet’s artifacts, is reminiscent of my favorite scene from Black Panther with Kilmonger in the British Museum. Having Roanhorse show the power that comes from taking ownership over one’s heritage is what I love to see!
As a lover of Disney’s Tangled, “Longer Than the Threads of Time” by Zoraida Córdova was also a treat. However, like so many stories in this anthology, I wanted the stories to be so much longer.
A Universe of Wishes holds all the magic a reader could want. Having authors of color flex their muscles and show creativity outside the normal realm of “suffering” that so many BIPOC writers are pigeonholed into to get their break in the publishing industry was refreshing.
If you enjoyed this anthology, I’d highly recommend looking into all the featured writers’ works and read Her Stories by Virginia Hamilton, which was one of my favorite short story collections of African-American folktales and fairy tales as a kid.
In August, I read The House in the Cerulean Sea by TJ Klune after seeing Mara (@bookslikewhoa) rave about it on her BookTube page. Klune’s novel is one of a kind in its depiction of the child welfare state and how “unwanted” children are often herded from place to place with no real care for their wellbeing. Even though this author has placed the children in his story in an alternate world, it speaks to the plight of children who are either minority or LGBTQ+ or “hard to manage.”
Klune’s book starts in this “alternate” version of what seems to be London with Linus Baker, a caseworker in the Department in Charge of Magical Youth, who happens to be gay. Linus is a character who the reader will immediately recognize as a person who’s just going through the motions at work. For all those in the helping profession, you’ll recognize him immediately as a person who’s “burned out” and just going through the motions of his job.
However, this all changes when he’s sent to check up on Arthur Parnassus and his gang of “misfit” children. The children under Arthur’s care can be seen to represent several unwanted groups of children, such as those with behavioral issues (Lucy, the Antichrist), those who are transgendered or non-binary (Talia, a female gnome, & Chauncey, an anthropomorphic blob), mischaracterized BIPOC children (Sal, a Black teenager who has been characterized as “violent” even though he’s just introverted), and the neurodiverse (Phee, a sprite who relates more to nature, & Theodore, a wyvern with limited speech patterns).
While the world and Linus at the beginning of the book view Arthur’s charges as a danger to society, he knows better. Through careful work with each child, he’s able to bring out the best in them. Sadly, this is not the route many people take when dealing with children in each of these populations, causing them more harm than good.
I will admit when I met the kids in Klune’s book, I was a little taken aback by the fact that Sal, who seems to be the only child of color, was depicted as a “were-dog.” Yet, it hit me that this was a stroke of brilliance since Sal’s transformation from being this “scary animal” that society sees him as mirrors the plight of black men everywhere once they go past the toddler stage. Sal is a victim of circumstance who has PTSD from the violence inflicted on him. He’s not only intelligent and poetic, but also the calmest child out the bunch. Likewise, the fact that Klune subtle pokes fun at the irony of dogs being highly protected by society when BIPOC aren’t had me smirking.
This book is a heartwarming tale that everyone needs to read! I gave it 4 ⭐️. It’s a book for the whole family. Checkout some of the character avatars that the publisher, TOR Forge, shared on their site below and on their website!
Furia is the story of Camila Hassan, a soccer prodigy that lives in Rosario, Argentina. As the only daughter of a misogynistic father, Camila is forced to hide her dreams of playing soccer from her parents, who hope she will become a doctor or marry rich to help them escape poverty.
Méndez’s #OwnVoices book is everything I could ever want in a YA Novel. This author tackles feminism, the fragile male ego, domestic and mental abuse, and what life can be like for women and abandoned children in a violent and impoverished country in the Global South. And, not to mention, Méndez’s book has a “friends to lovers” romance, a sports plotline, and involves social commentary on what it means to be a woman in a culture that runs on machismo.
Earning the nickname, “La Furia,” from admirers for her prowess on the soccer field, Camila is sure that she can help save her family if given a chance. When her childhood friend, Diego, comes home from playing pro-soccer overseas, she is forced to choose between her desire to be independent and play the sport she loves or yield to her family and Diego’s wishes for her.
Méndez navigates multiple plot lines and character development with finesse and manages to ask the bigger question of what happens in society if women are not protected and allowed to live full lives? This book has a little something for all readers.
Since I was a child, reading has been one of my favorite past times. When I read a good book, it sits with me for a long time and becomes a part of who I am. The ideas that I have gleaned from reading certain books have helped color my opinion on topics, like respectability politics, social issues, along with many other topics. Since we don’t have anything else to do during this #QuarantineSeason, I decided to share my favorites books with you all!
Tell me if you have read any of these books in the comments below!
1. Shabanu: Daughter of the Wind by Suzanne Fisher Staples: I remember having to read this book in fifth grade and being so transfixed by Shabanu’s story. Shabanu is a Pakistani girl of about 12 or 13 who lives in the Cholistan desert with her nomadic family. Growing up tending her herd of camels she always knew she’d marry young, but as fate would have it, her betrothal comes muchearlier than she expects. Shabanu is married to a man that is twice her age after a chaotic event takes place when her family visits her actual betrothed. Staple’s book has the type of storyline that sticks with you well beyond you finishing the book. Even though I read the other two books in this series, I would still recommend this book out of the whole series as the one that is most riveting.
2.Harry Potter & The Half-Blood Prince by J.K. Rowling: J.K. Rowling once said that, “no matter how old you get, the world of Harry Potter will always be waiting for you when you return.” As corny as this sounds, it is the truth. I frequently reread this series from beginning to end and always get emotional even though I know what’s going to happen. Regardless, my emotions always slip away from me when I read the 6th book in the series. I love the back story that Rowling gives to why Lord Voldemort is the way he is and why their is a rivalry between Harry’s father and Professor Snape. If I had to only pick one book from the series as my all-time favorite, this would definitely be the one. I never get tired of this book.
3. Oh, The Places You’ll Go! by Dr. Seuss: The thing you’ll quickly learn about me is that I’m a tad sentimental and a sucker for quotable things or things that give some insight into the human experience. I love this book by Dr. Seuss because it makes me feel like I’m not alone in my journey to that great beyond we all call adulthood. This book is usually something that you give to a person who’s graduating or just moving up another level in their life. I love the simplicity in the Dr.’s rhymes and the overall messages in the books. The artwork in this book also lends itself to the unique wackiness that can only be found in a Dr. Seuss book. This book is good for people of all ages and something that never goes out of style.
4. Friday Nights At Honeybee’s by Andrea Smith: I picked this book up on a whim in undergrad at my university’s bookstore and fell deeply in love with the story during my first reading. The book follows two women as they migrate individually to Harlem in the 1960’s until the point where they meet at Honeybee’s, a home for the Black artistic crowd during this era. The two women, Viola and Forestine are both running from their own personal demons. Viola is a Southern Baptist preacher’s daughter who gets ran out of her small town by her Church family and Forestine is a woman who’s only dream is to become a singer. In Smith’s story, the recreation of Harlem in the 1960’s is beyond believable and the storyline immediately sucked me in. I’d recommend to all lovers of Harlem and jazz music or to anyone who loves The Color Purple by Alice Walker or the Sugar duology by Bernice McFadden.
5. The Blacker The Berry by Wallace Thurman: We’ve all been born in skin that we don’t always feel comfortable in. To make matters worse, we may often get told, “oh you would be pretty if…” or “honey, why don’t you do x, y, and z to yourself” by some brainwashed individual who has been sold a one dimensional view on what beauty is.
In the case of Emma Lou, the hue of her skin is what keeps her from being considered beautiful by others in her family and race. Born as a dark-skinned African-American in the Harlem Renaissance period, Emma Lou is frequently told to modify her skin tone to fit in with society’s concept of what beauty.
I personally love this book because of the raw emotions that Thurman lets spill onto the pages of the novel. Growing up as a dark-skinned girl myself, I can understand the feelings that Emma Lou has when it comes to life and her struggle to come of age in an era when blacks were not necessarily as accepting of their skin tone as they should have been. Yet, don’t be detoured from reading this novel if your not that into African-American history, it’s a good read for anybody who enjoys coming of age stories as well.
6.Flyy Girl by Omar Tyree: This particular book falls under my top picks not only because it is a good book, but because of the way it came to me. Tyree’s book was a staple read amongst middle school girls when I was in 6th grade. Flyy Girl was secretly passed back and fourth between us girls like it was the ultimate study guide and each girl in turn would read it and pass it on to the next girl in line. As an adult, this book doesn’t hold nearly as much magic for me, but I still keep it in my list of faves because it reminds me of a much more innocent time. The book itself isn’t exactly child friendly because of certain scenes where the main character partakes in adult “cardio” exercises yet, the novel itself is about the main character, Tracy’s coming of age and learning who she is on her own terms. While I did read this book at a fairly young age, I would caution other young girls to do so under the pretense of being an observer of Tracy’s story opposed to using it as an all out manual for living life in the fast lane. If you love this book, you need to read The Coldest Winter Ever by Sista Souljah.
7. The Spook Who Sat By The Door by Sam Greenlee: Action, racial commentary, fight scenes, wise cracking, and an urban setting are all a part of Greenlee’s masterpiece. I read this book this semester for my seminar on African-American Fiction after growing up hearing my parents discuss it frequently. Greenlee’s novel has a tumultuous back story. Turned down by American publishers and eventually having to go to Britain to publish this book due to its graphic and raw nature, Greenlee’s book was lost in the shuffle of great African-American fiction. This book is a fictional account of Dan Freeman, an ex-CIA African-American operative as he fights to exact guerrilla warfare on his oppressors. The novel takes place in the 60’s and follows Freeman as he seeks to educate a gang of urban teens on having love for themselves and their race. It was eventually turned into a movie and then, banned by the government upon its release. It has only recently been reintroduced into print and DVD (If you want to watch it, also check out the movie on YouTube).This novel is not for the faint of heart or for those who are easily offended by racial slurs. I would recommend it as a serious read or just as a thriller selection for any and everyone.
8. Imaginary Men by Anjali Banerjee: One of my ultimate guilty pleasures is the Indian culture. I truly enjoy reading novels that are based around Indian or Indian American women’s experiences. Here, Banerjee writes about Lina, a woman who loses her fiancee in an accident and works as a matchmaker. On a trip home to India, Lina’s Auntie tries to set her up with some random Indian man at her cousin’s wedding and she panics blurting out to her aunt that she is already engaged. This sends her family into a tizzy and Lina is stuck trying to find a man to fill the spot of her fictional fiancee. Enter in Raja, an Indian prince who hires Lina to find his brother a wife and sparks start to fly from there. Since buying it, I reread this book at least once a year. Even though it’s predictable, I love the mushy romance and the way that Banerjee deals with grieving. If you love chick-lit I’d definitely recommend you read this book.
9. The Truth About Forever by Sarah Dessen: I was a HUGE fan of Sarah Dessen growing up. (Don’t make that face at me…I know, I know 😑). To fill this final spot, I had to delve back into my bookshelf and weigh the pros and cons of each of her novels to decide which book is my top fave of all time. For me, this position would have to go to The Truth About Forever due to it’s ability to draw me in every time I reread it. This novel follows Macy, a girl seeking perfection to hold her life together after her father dies. On a whim, Macy takes a summer job with Wish, a catering company. Here, she befriends Wes, a boy who has also lost a parent and they play an endless game of Questions where each person has to answer the others question truthfully until someone forfeits. Dessen’s books have been called cheesy and repetitive by some however, I find them to be comforting. I especially love the Question Game and can’t wait to play it with some willing person in the future.
What are your favorite books? Tell me in the comments below.
If you know whence you came, there is really no limit to where you can go.” —James Baldwin
When I was teen, I read this book called, Like Sisters on the Homefront by Rita Williams-Garcia, and in it, there’s a part that talks about how one member of the main character’s family is entrusted with remembering the ancestral history in it’s entirety. When this person dies, he/she/they must pass on their family’s history to the next generation until it’s time for them to relinquish their role. As I came to the end of The Deep by Rivers Solomon’s book, I was put in mind of this practice of remembering.
As the descendant of American Chattel Slavery, I am many generations removed from my ancestral home. There is no one who can remember who we were or where we came from before my ancestors landed on the shores of Charleston, South Carolina chained up in the hull of a ship. Sadly, there is no one who can really tell us how our forefather and foremothers ended up on those ships to begin with. I am much like the lost mer-people that Solomon’s main character, Yetu, has the task with “reminding” about their history.