Book & Movie Reviews, Reviews

#BookTour Game of the Gods by Paolo Maurensig #BookReview

Game of the Gods’ by Paolo Maurensig

Thank you to @RandomTTours, @WorldEdBooks, and @NetGalley for the advanced readers copy of Game of the Gods by Paolo Maurensig and translated by Anne Milano Appel.

If you’re a lover of Netflix’s The Queen’s Gambit (the novel of the same name by Walter Tevis) or chess, I have a novel for you! 

Set in 1930s India under British rule comes the story of chess master Malik Mir Sultan Khan. Forgotten by the world but renowned for his chess acumen, Sultan Khan is a historical figure that Paolo Maurensig reimagines from the notebooks of a fictional reporter at the Washington Post. The author fills in Sultan Khan’s life’s details using “what if” scenarios and the scraps he finds from the chess player’s history.

Photo of Malik Mir Sultan Khan

As a reader, this story was engrossing from a plot perspective. Maurensig introduced us to the character, Sultan Khan, at the end of his life, and from there, the author starts off the chess champion’s story. Going from a young village boy with humble beginnings to becoming Asia’s most renowned chess champion of his time makes the character a formidable subject. Yet, when Maurensig delved into his plotline about a blind heiress and the potential that Sultan Khan was believed to have been the woman’s killer, I tuned out.

For me, the depiction of Sultan Khan in such a stereotypical role being framed for being capable of this type of action seemed steeped in his “Otherness” as an Indian. The passivity of Sultan Khan’s character also detracted from how I interacted with the book. While reading, I felt as if this character was passive about his existence and experiences as others were moving him around. I wanted to see him become more assertive when it came to deciding his fate. Thus, while this book had masterful writing, I would have liked to see a different outcome for Sultan Khan than Maurensig provided. 

Sultan Khan playing chess

In real life, according to The Oxford Companion to Chess, Sultan Khan was a chess player that became one of the world’s top ten best chess players regardless of not being able to read or write and never learning any openings for himself since he could not study chess hooks without those skills. He was known as a “positional player” and worked best as a middle-player. Sultan Khan was deemed a “genius” by José Raúl Capablanca, a major chess prodigy of his time. Yet, as Maurensig wrote, the chess player suffered from malaria and frequent cold and throat infections during his Europe tour.

Netflix poster for The Queen’s Gambit

In 1933, Sultan Khan went back to India due to being summoned home by Sir Umar, his benefactor. At that time, Sultan Khan was given a small farmstead by Sir Umar near his birthplace in Punjab, where he spent the rest of his life. Sultan Khan’s children were quoted as saying that he wanted them to do something “more useful with their lives” than playing chess, like him. After playing his last chess game in 1935, Sultan Khan disappeared from the chess world and later died of tuberculosis.

For lovers of suspense novels and mysteries, Game of the Gods is a short read if taken as pure fiction, and the bent toward Orientalism is ignored. However, if you are looking just to pass the time, I would suggest watching “The Queen’s Gambit” on Netflix.

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Book & Movie Reviews, Reviews

What Gets Left Behind – A #BookReview of #UntilWereFish by #SusannahRDrissi

Thank you to @RandomTTours and Mrs. Rodríguez Drissi for my finished copy of Until We’re Fish!

Blog Tour Dates for Until We’re Fish

In a virtual talk with Harvard Book Store, Susannah Rodríguez Drissi says of her title, Until We’re Fish, that “fish are bounty…they speak of potential.” For her, the loose translation of her title means “until [the characters] are able to claim a space for [them]selves and feel like [they] belong,” they will always feel like “fish out of water.” And nothing can be more accurate for the three main characters, Elio, Maria, and Pepe, as the reader follows them on their journey into adulthood over a span of thirty years in Cuba. 

Cover of Until We’re Fish by Rodríguez Drissi

Set from 1958 to the 1990s, Until We’re Fish by Susannah Rodríguez Drissi, is a coming-of-age story. Elio, Maria, and Pepe grow up during the tumultuous years of the Cuban Revolution. As the novel unfolds, each character is forced to make hard choices as they wrestle with the futures they desire for themselves while living in the unfair world that the revolution creates.

As a girl, Maria dreams of freedom and moving to Chicago after spending years reading the Sears catalog. However, Elio, her neighbor, only dreams of Maria and owning a Schwinn bike. In direct competition with Pepe, his friend and rival for Maria’s heart, Elio holds out hope that Maria will be his.

Author photo of Rodríguez Drissi

Rodríguez Drissi’s prose is distinct as she narrates the lives of her characters. This author’s descriptive portrayal of Cubans trying to fight to survive succeeded in drawing me in as a reader because I could picture revolutionary Cuba during the 50’s going forward. And as a lover of languages, having the author use rich references and imagery to her home country and the novel, Don Quixote, helped build suspense about what choices her characters would make regarding their lives and fleeing Cuba. However, it also drives home the point that the Cuba mainland Americans imagine pales compared to the world that native Cubans inhabit or for the world those who immigrated left behind.

Until We’re Fish is an authentic tale about survival, love, and coming of age in a world where nothing is a sure thing. Lovers of Chanel Cleeton’s When We Left Cuba and Next Year in Havana will enjoy returning to Cuba from the perspective of Cubans who were left on the island or chose to stay as revolution broke out.

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Book & Movie Reviews, Reviews

A #BookReview of #AUniverseOfWishes, A #WeNeedDiverseBooks Anthology – #BookTour

Thanks to Terminal Tours, I was able to get an advanced readers copy of the fantasy-themed short story anthology, A Universe of Wishes: A We Need Diverse Books Anthology. This anthology was edited by Dhonielle Clayton and included authors like Samira Ahmed, Zoraida Córdova, Kwame Mbalia, Tochi Onyebuchi, and many more authors of colors.

In her editor’s letter, Clayton talks about growing up as a reader of color and not seeing herself in fantasy novels. This was something that I could relate to. While I always had stories, like The Logan Family Saga by Mildred D. Taylor or The Skin I’m In by Sharon G. Flake, to read if I wanted to see real-world images of myself in the 90s if I wanted to read a fantasy novel with African-American characters, my pickings were slim.

With the We Need Diverse campaign inception in 2014, the field of publishing has been opened up to the point where authors of color have been given the space to tell their own stories and even been granted acclaim for their work. Even though there is more work to be done in the industry, based on the annual statistics from the Children’s Cooperative Book Center (CCBC) and Lee & Low.

Reading through A Universe of Wishes, I was pleasantly surprised to read stories, like “Liberia” by Kwame Mbalia, where readers are shown a story of where the love of one’s family takes center stage. Having Mbalia speak to African-Americans’ collectivist nature and centering the magic of this cultural trait warmed my heart.

Likewise, reading “The Takeback Tango” by Rebecca Roanhorse, where a teen thief sets out to reclaim her planet’s artifacts, is reminiscent of my favorite scene from Black Panther with Kilmonger in the British Museum. Having Roanhorse show the power that comes from taking ownership over one’s heritage is what I love to see!

As a lover of Disney’s Tangled, “Longer Than the Threads of Time” by Zoraida Córdova was also a treat. However, like so many stories in this anthology, I wanted the stories to be so much longer. 

A Universe of Wishes holds all the magic a reader could want. Having authors of color flex their muscles and show creativity outside the normal realm of “suffering” that so many BIPOC writers are pigeonholed into to get their break in the publishing industry was refreshing.

If you enjoyed this anthology, I’d highly recommend looking into all the featured writers’ works and read Her Stories by Virginia Hamilton, which was one of my favorite short story collections of African-American folktales and fairy tales as a kid.

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Life In Between the Hyphen: First-Generation Characters Creating An Identity #BookReview

Book lovers, what’s a book that has helped you learn about your identity?

One of my top reads in my September Wrap Up (yes, this book review is that late) was Fruit Of The Lemon by Andrea Levy. In her novel, Levy describes the journey of self-discovery her character, Faith Jackson, takes to crafting her identity and learning about her Jamaican family’s heritage.

Cover for Fruit of the Lemon

As a first-generation child of Jamaican immigrants, who are a part of the working class, Faith is set adrift between her life in Britain and her family’s original cultural heritage. Surrounded by White friends and flatmates, Faith is the victim of casual racism and constant humiliation at her peers’ hands.

Faith’s parents and brother, on the other hand, treat her as an anomaly. To her parents, she is rudderless with no understanding of her Jamaican heritage. Yet, neither parent will tell her what she needs to know to grow closer to the country they love so dearly. Faith’s brother sees her as disconnected from her roots and writes her off as a “lost cause,” as he finds his foot in between the hyphen as a British Jamaican person.

With all these conflicting opinions about herself, it is no wonder Faith finds herself confused about who she is meant to be. It is not until a trip to the “Motherland” that Faith begins to craft an identity for herself.

What I most enjoyed about Levy’s story is that it is purely a character study. The shifts in the story feel akin to real life. Levy’s choice to explore the “hyphenated identity” of her character is something that any BIPOC person can understand regardless of their country or their economic class.

Author, Andrea Levy (Photo Credit: Liam Duke/Camera Press)

This is because we all eventually go through some metamorphosis that moves us further away from our ancestral “home base” be it through our economic status or geographical location. And due to this change, we often face scrutiny within our community and outside forces, who either see us as pretenders or as phony in how we present ourselves.

Therefore, it’s easy to understand the struggles Faith faces as she battles the remnants of colonialization and casual racism to become self-actualized.

Have you read this book?

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What happens to children that are forgotten? – The House in the Cerulean Sea by TJ Klune #BookReview

“𝘚𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴, 𝘣𝘦𝘪𝘯𝘨 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘧𝘦𝘦𝘭𝘴 𝘢 𝘭𝘰𝘵 𝘭𝘪𝘬𝘦 𝘣𝘦𝘪𝘯𝘨 𝘢𝘭𝘰𝘯𝘦.” – 𝘓𝘪𝘯𝘥𝘴𝘦𝘺 𝘚𝘵𝘪𝘳𝘭𝘪𝘯𝘨

W𝙝𝙖𝙩 𝙬𝙖𝙨 𝙩𝙝𝙚 𝙡𝙖𝙨𝙩 𝙗𝙤𝙤𝙠 𝙮𝙤𝙪 𝙧𝙚𝙖𝙙 𝙩𝙝𝙖𝙩 𝙬𝙖𝙧𝙢𝙚𝙙 𝙮𝙤𝙪𝙧 𝙝𝙚𝙖𝙧𝙩?

In August, I read The House in the Cerulean Sea by TJ Klune after seeing Mara (@bookslikewhoa) rave about it on her BookTube page. Klune’s novel is one of a kind in its depiction of the child welfare state and how “unwanted” children are often herded from place to place with no real care for their wellbeing. Even though this author has placed the children in his story in an alternate world, it speaks to the plight of children who are either minority or LGBTQ+ or “hard to manage.”

Author, TJ Klune

Klune’s book starts in this “alternate” version of what seems to be London with Linus Baker, a caseworker in the Department in Charge of Magical Youth, who happens to be gay. Linus is a character who the reader will immediately recognize as a person who’s just going through the motions at work. For all those in the helping profession, you’ll recognize him immediately as a person who’s “burned out” and just going through the motions of his job.

The House in the Cerulean Sea

However, this all changes when he’s sent to check up on Arthur Parnassus and his gang of “misfit” children. The children under Arthur’s care can be seen to represent several unwanted groups of children, such as those with behavioral issues (Lucy, the Antichrist), those who are transgendered or non-binary (Talia, a female gnome, & Chauncey, an anthropomorphic blob), mischaracterized BIPOC children (Sal, a Black teenager who has been characterized as “violent” even though he’s just introverted), and the neurodiverse (Phee, a sprite who relates more to nature, & Theodore, a wyvern with limited speech patterns).

While the world and Linus at the beginning of the book view Arthur’s charges as a danger to society, he knows better. Through careful work with each child, he’s able to bring out the best in them. Sadly, this is not the route many people take when dealing with children in each of these populations, causing them more harm than good.

I will admit when I met the kids in Klune’s book, I was a little taken aback by the fact that Sal, who seems to be the only child of color, was depicted as a “were-dog.” Yet, it hit me that this was a stroke of brilliance since Sal’s transformation from being this “scary animal” that society sees him as mirrors the plight of black men everywhere once they go past the toddler stage. Sal is a victim of circumstance who has PTSD from the violence inflicted on him. He’s not only intelligent and poetic, but also the calmest child out the bunch. Likewise, the fact that Klune subtle pokes fun at the irony of dogs being highly protected by society when BIPOC aren’t had me smirking.

This book is a heartwarming tale that everyone needs to read! I gave it 4 ⭐️. It’s a book for the whole family. Checkout some of the character avatars that the publisher, TOR Forge, shared on their site below and on their website!

From top to bottom: The Marsyas Island Orphanage (@rednosestudio), The very dapper Chauncey, looking dashing as always with his bellhop attire (@mavilez_), Lucy, being the very innocent person that he is and in no way ever thinking about murder. Ever. *side eyes* (@mavilez_), & Last but not least, Talia, ready to work on her garden! Do we have any volunteers to help? (@mavilez_)
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#FightLikeAGirl What would you do to achieve your dreams?: A #BookReview of #Furia by #YamileSaiedMendez

𝘛𝘩𝘦 𝘮𝘰𝘴𝘵 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 𝘸𝘰𝘮𝘢𝘯 𝘰𝘧 𝘢𝘭𝘭 𝘪𝘴 𝘵𝘩𝘦 𝘰𝘯𝘦 𝘸𝘩𝘰 𝘳𝘦𝘧𝘶𝘴𝘦𝘴 𝘵𝘰 𝘳𝘦𝘭𝘺 𝘰𝘯 𝘺𝘰𝘶𝘳 𝘴𝘸𝘰𝘳𝘥 𝘵𝘰 𝘴𝘢𝘷𝘦 𝘩𝘦𝘳 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘴𝘩𝘦 𝘤𝘢𝘳𝘳𝘪𝘦𝘴 𝘩𝘦𝘳 𝘰𝘸𝘯. – r.h. sin 

𝐅𝐞𝐥𝐥𝐨𝐰 Readers, 𝐰𝐡𝐚𝐭 𝐜𝐨𝐧𝐬𝐭𝐢𝐭𝐮𝐭𝐞𝐬 𝐚 ”Young Adult Novel” 𝐟𝐨𝐫 𝐲𝐨𝐮?

I recently received a digital ARC of Furia by Yamile Saied Méndez  from @Netgalley, and was blown away! 

Furia is the story of Camila Hassan, a soccer prodigy that lives in Rosario, Argentina. As the only daughter of a misogynistic father, Camila is forced to hide her dreams of playing soccer from her parents, who hope she will become a doctor or marry rich to help them escape poverty.

Méndez’s #OwnVoices book is everything I could ever want in a YA Novel. This author tackles feminism, the fragile male ego, domestic and mental abuse, and what life can be like for women and abandoned children in a violent and impoverished country in the Global South. And, not to mention, Méndez’s book has a “friends to lovers” romance, a sports plotline, and involves social commentary on what it means to be a woman in a culture that runs on machismo.

Earning the nickname, “La Furia,” from admirers for her prowess on the soccer field, Camila is sure that she can help save her family if given a chance. When her childhood friend, Diego, comes home from playing pro-soccer overseas, she is forced to choose between her desire to be independent and play the sport she loves or yield to her family and Diego’s wishes for her. 

Méndez navigates multiple plot lines and character development with finesse and manages to ask the bigger question of what happens in society if women are not protected and allowed to live full lives? This book has a little something for all readers.

𝐏𝐥𝐞𝐚𝐬𝐞, 𝐩𝐫𝐞-𝐨𝐫𝐝𝐞𝐫 𝐲𝐨𝐮𝐫 𝐜𝐨𝐩𝐲! 𝐈𝐭 𝐜𝐨𝐦𝐞𝐬 𝐨𝐮𝐭 𝐨𝐧 𝐓𝐮𝐞𝐬𝐝𝐚𝐲, 𝐒𝐞𝐩𝐭𝐞𝐦𝐛𝐞𝐫 𝟏𝟓!

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What is the cost of a Black Life? – #BookReview of #PunchingTheAir by #IbiZoboi & #DrYusefSalaam

“𝘈𝘭𝘭 𝘢𝘳𝘵 𝘪𝘴 𝘢 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘤𝘰𝘯𝘧𝘦𝘴𝘴𝘪𝘰𝘯, 𝘮𝘰𝘳𝘦 𝘰𝘳 𝘭𝘦𝘴𝘴 𝘰𝘣𝘭𝘪𝘲𝘶𝘦. 𝘈𝘭𝘭 𝘢𝘳𝘵𝘪𝘴𝘵𝘴, 𝘪𝘧 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘵𝘰 𝘴𝘶𝘳𝘷𝘪𝘷𝘦, 𝘢𝘳𝘦 𝘧𝘰𝘳𝘤𝘦𝘥, 𝘢𝘵 𝘭𝘢𝘴𝘵, 𝘵𝘰 𝘵𝘦𝘭𝘭 𝘵𝘩𝘦 𝘸𝘩𝘰𝘭𝘦 𝘴𝘵𝘰𝘳𝘺; 𝘵𝘰 𝘷𝘰𝘮𝘪𝘵 𝘵𝘩𝘦 𝘢𝘯𝘨𝘶𝘪𝘴𝘩 𝘶𝘱.” ― 𝘑𝘢𝘮𝘦𝘴 𝘉𝘢𝘭𝘥𝘸𝘪𝘯

𝐅𝐞𝐥𝐥𝐨𝐰 Readers, 𝐰𝐡𝐚𝐭 𝐦𝐚𝐤𝐞𝐬 𝐚 𝐛𝐨𝐨𝐤 𝐬𝐭𝐚𝐧𝐝 𝐨𝐮𝐭 𝐭𝐨 𝐲𝐨𝐮?

Over the last month, I had the chance to read Punching The Air by Ibi Zoboi and Dr. Yusef Salaam thanks to the kindness of Harper Collins and Karina @AFirePages.  As an avid Ibi Zoboi fan and an admirer of the tenacity of the Exonerated Five, getting an ARC of this book was one of the highlights of my year.

Zoboi and Dr. Yusef Salaam book follows the story of Amal, a sixteen-year-old Black artist, who is convicted of a crime of aggravated assault against a White boy. But, Amal’s real crime stems from being born Black.

According to the Institute for Crime & Justice Policy Research “the U.S. currently houses the world’s largest prison population,” with Blacks having a conviction rate that’s “five times higher” than their White counterparts. And, thanks to the Supreme Court decision in United States v. Booker in 2005, which gave judges more discretion over sentencing and imposing harsher or more lenient sentences than the U.S. Sentencing Commissions guidelines called for, judges have now found it easier to punish BIPOC men, like Amal.

Thus, when readers see Amal claiming his innocence in court and being convicted to a harsh sentence at a young age, it hurts. As a minority reader, you will more than likely not only remember Dr. Yusef and the Exonerated Five’s case, but probably can also relate to Amal’s plight because you remember the a loved one or friend who’s also experienced harsh sentencing and lost years behind bars.

What I enjoyed most about this #OwnVoice novel in verse is that it is not only raw and real, but it feels honest. Amal is a character that I saw my brother, cousins, and nephews in. He is a boy who has high hopes, but gets painted as a monster by society instead of embraced for his art and potential.

The White educators and lawyers in his life masquerade as these Anti-racist figures and do-gooders, but when their feet are held to the fire, they act in their own self-interest.

Zoboi and Dr. Salaam’s book is an essential read, and I hope that you also pick it up and read it alongside Just Mercy by Bryan and The New Jim Crow by Michelle Alexander. 

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Come On In, America is Waiting!: The Immigrant & America, A #BookReview #BlogTour

“No one leaves home unless home is the mouth of a shark.” 
― Warsan Shire, Teaching My Mother How to Give Birth

According to the Migration Policy Institute, as of 2018, there are roughly more than 44.7 immigrants residing in the United States to date. Immigrants make up 13.7% of the American population and have helped build up every imaginable industry in America from the government (e.g., Can you say, “Founding Fathers?”) to technology and science, to our food industry.

Yet, this group is frequently under attack and lauded as “leeches” on American resources even while they are recruited to keep America running smoothly by doing tasks that others won’t or can’t do. This is often done for little to no pay. With the current administration’s smear campaign against immigration, it’s refreshing to read stories by authors with firsthand experience of the true labor that goes into immigrating in the anthology, Come On In.

The anthology was edited by Adi Alsaid and is comprised of fourteen authors who hail from a variety of global backgrounds ranging from Fiji to Ecuador. I loved this anthology because each author shows that it takes courage and tenacity to leave the world you once knew behind to embrace a new life.

Likewise, each author has their own unique voice and tells their story from different vantage points of immigrating to America. For instance, some writers speak of the pain that comes with confronting TSA when you arrive in America and ICE if you are unfortunate enough to be deported. Other authors in the anthology tell of being told that they’re moving, but their older siblings are being left behind because they weren’t approved for a visa. Still, in other stories, the author presents first-generation American born children who struggle with building an identity in-between the proverbial hyphen of their parents’ native land and the American country they grew up in.

All these stories that Alsaid has edited together show that the immigrant experience, like everything else, cannot be told in a single story. Even within the same family, the story and one’s outlook on being an immigrant can vary.

This anthology is an excellent initial resource for anyone who has questions about what it is like for people who make the journey to leave their homelands and move to a new country. The stories in this collection will force readers to face their assumptions about who immigrants are.

If you go into this collection with an open mind, the stories will force you to look deeper into the question of why people choose to leave their homes, and if there even is a choice for some people. Likewise, for readers who love good storytelling, this anthology is perfect because of the nuanced viewpoints presented in the collection.

Thank you to Hear Our Voices Book Tours for granting me an e-galley of this anthology and allowing me to be a part of the promo tour! Check their site for more stops on the tour!

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Calling on the Ancestors: A Book Review of The Deep by Rivers Solomon

If you know whence you came, there is really no limit to where you can go.” —James Baldwin

When I was teen, I read this book called, Like Sisters on the Homefront by Rita Williams-Garcia, and in it, there’s a part that talks about how one member of the main character’s family is entrusted with remembering the ancestral history in it’s entirety. When this person dies, he/she/they must pass on their family’s history to the next generation until it’s time for them to relinquish their role. As I came to the end of The Deep by Rivers Solomon’s book, I was put in mind of this practice of remembering.

As the descendant of American Chattel Slavery, I am many generations removed from my ancestral home. There is no one who can remember who we were or where we came from before my ancestors landed on the shores of Charleston, South Carolina chained up in the hull of a ship. Sadly, there is no one who can really tell us how our forefather and foremothers ended up on those ships to begin with. I am much like the lost mer-people that Solomon’s main character, Yetu, has the task with “reminding” about their history.

For me, reading Solomon’s book feels akin to being taunted. African-Americans have forever been set adrift in the world and the more we try to establish ourselves with traditions and culture, the world steals it from us idea by idea, stitch by stitch, and one collagen shot at a time. Therefore, when I listen to the song Solomon based their book off of by Clipping, and hear Daveed Diggs ask if “y’all remember?,” I find myself growing frustrated because I don’t remember! I’ve hit a road block after a period of time and no amount of Ancestry DNA reports will set me straight.


This song by Clipping. was done as an homage to the Detroit Acid / Techno duo, Drexciya. The band features David Diggs of Broadway Hamilton fame. Clipping has said that they are currently planning to release more music based off of Rivers Solomons’ book in the future.

If you are looking for a short book or love Science Fiction books, PLEASE read this! I would also suggest reading The Black God’s Drums by P. Djèlí Clark or The Binti Trilogy by Nnedi Okorafor.

“Vicissitudes,” Jason deCaires Taylor’s. Grenada, Museo Atlántico.

Likewise, if you are an art aficionado, please checkout Jason deCaires Taylor’s submerged artwork that is entitled, “Vicissitudes.” The work was done in honor of the African slaves that died during the Middle Passage and is eco friendly. Taylor, an Anglo-Guyanese sculptor, work is located in the Museo Atlántico, which is underwater near Grenada.

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for colored girls who have considered suicide/ when the rainbow was enuf Choreopoem by Ntozake Shange Review & For Colored Girls’ by Tyler Perry Movie Review

I gave for colored girls who have considered suicide/ when the rainbow was enuf  3/5 stars and For Colored Girls 5 stars.

for colored girls who have considered suicide/ when the rainbow was enuf is a choreopoem (i.e., a poem that is meant to be performed with added movement along with dialogue) by Ntozake Shange, which was published in 1975 and recently turned into a movie entitled, For Colored Girls by Tyler Perry in 2010.

Choreopoem Review

for colored girls who have considered suicide/ when the rainbow was enuf  by Ntozake Shange Book Review

Shange’s choreopoem was very interesting to read. In the beginning I was confused by Shange’s abbreviations and had to use guess work to figure out what she was saying, but as the choreopoem went on, I got better at discerning what she was saying since she frequently repeated certain words like cd (could) or waz (was). Thank goodness for this because the action in this choreopoem speeds by and if you’re not on point, you’ll easily miss something. Since this was a choreopoem, the actual character building isn’t really meant to be full blown. In addition, Shange’s motives for creating the characters is meant more so for them to represent ideas than for them to actually have personalities.

Movie Review

For Colored Girls (2010) by Tyler Perry Movie Review

While I did like this choreopoem, I would have to say without actually seeing a visual interpretation of it (be it a theatrical production, the tv movie, or the film adaptation), one could get lost fairly easily. Since I read this choreopoem for an assignment and watched Tyler Perry’s film adaptation in tangent with reading Shange’s work, I have to say, I actually got a better feeling for what Shange was doing with her work from watching Perry’s movie. Without seeing Shange’s work in action, I would have just chalked this read up as an overblown classic, but the visual representation made this piece one of my favorite…movies that is. I know this is harsh, but I still felt as if Shange’s work would be better off packaged as simple poems in written form opposed to as a single unit that is meant to be read as a full chorepoem/play. And yes, I am aware that Shange admits that she did write these poems singuraly and later preformed then as a collective unit however, I must go off of how it was presented to me in it’s published form.

Perry’s film on the other hand was OUT-STANDING! At the time this film came out, I was under the impression that it would be similar to his other works and that the film itself was scary since it deals with subject matter like, abortions and rape. However, I was pleasently surprised to find that Perry handled everything tastefully. The actresses he chose to represent each character was phenomenal and fitting. I especially enjoyed Loretta Devine as the lady in green and Anika Noni Rose as the lady in yellow. These two poured their hearts into their characters and it shows. 

Out of all the poems though, my favorites from both, the choreopoem and the film would have to be “somebody almost walked off with all my stuff” and “no assistance” performed by Loretta Devine in Perry’s film and “my love is too…,” which was performed by all the colored ladies in the film and choreopoem.  from the film version and “dark phrases,” which was also performed by all the colored ladies in the film and choreopoem in the written form.  

This choreopoem is something I would recommend that everybody read and watch at least once. It’s definitely gives one food for thought. But, beware, viewer discretion is advised.Shange’s work isn’t for a younger audience, it’s better suited for individuals who can truly grasp what is being talked about in the poems.

This is one of my favorite scenes from the Tyler Perry film. Have a look and tell me below if you have ever seen the movie or the choreopoem performed.

I also love the way Ntozake Shange critics Tyler Perry’s movie in this discussion too. It offers a lot of insight on the the final production of the movie that adds another layer to what transpired in the movie.

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