The scam of Anti-Racism: A #BookReview of Stamped From The Beginning by Ibram X. Kendi

Book Cover, Stamped From the Beginning bay Dr. Ibram X. Kendi

“People can cry much easier than they can change.” ― James Baldwin

What was the last over-hyped book that left you feeling unsatisfied?

I finished Stamped From The Beginning by Ibram X. Kendi last week for my African-American Literature course and felt as if Auntie ‘Retha had taken up residence in my body.

While it is clear that Kendi put a lot of work into this book, it was very much a “beautiful gowns” type of text for me…or rather “beautiful sources.”

From the offset, it is jarringly clear that this book was written pre-2016 Election when many folks believed they were living in a “post-racial” world and were congratulating themselves for having elected a Black man for president. This sentiment of us being “post-racism” props up Kendi’s book’s thesis that “everyone’s a little bit racist, so no one should really be allowed to call another person out. We’re all equal in ALL ways.” #Paraphrase 

And, this is where Kendi lost me.

To be fair, Kendi direct quote about Anti-racism is:

“Anyone can believe both racist and antiracist ideas…[and] to think as an antiracist: [is] to think there is nothing wrong with Black people, to think that racial groups are equal.”

Author, Dr. Ibram X. Kendi

The latter part of this is a beautiful sentiment, but that first part brings us into a sticky territory that teeters very close to absolving racist from the harm they’ve inflicted.

Racism requires power to go along with a person’s prejudicial attitude. Thus, while non-Black people and even Black people hold prejudices/bias and anti-Black sentiments, they do not hold the power that has been built into all American systems to bar other BIPOC people from being active participants. Ditto for this idea that “reverse” racism exists.

White people’s racism gives you 400+ years of oppression.

It gives you Tulsa and Rosewood.

It gives you the Klan/a corrupt police force, the “school-to-prison” pipeline…

a “not guilty” verdict in the Breonna Taylor case…etc.

A non-Black POC or indigenous person showing anti-Black sentiments hurts my feelings and leaves me baffled. But, it is rare that any of these groups have the power to inflict the level of harm and injustices that I experience at the hands of White people. This isn’t to say that these groups don’t need to dismantle and unlearn their behaviors.

However, the presentation of facts in Kendi’s books makes it seem as if the collective onus is on ALL of us when this work is a top-down process where the colonizer and those in power have to dismantle whole systems to truly bring us “equal.” This contrast to the BIPOC community, who could unlearn every bit of their biases and anti-Black sentiments and still be left without access to participating fully in American systems. This fact contributes to us trying to create hierarchies that would give us some semblance of “power” over each other.

Yet, Kendi’s book repeatedly ignores this fact when analyzing Black historical figures. The narrative he creates does not do enough to dismantle the notion behind “why” these individuals held these racist beliefs. And, even though I, as a #wellreadblackgirl could recognize the “why” behind these Black historical figures’ self-hating beliefs, I worried about the average reader identifying these same reasons when trying to dismantle their racism. 

Add to this Kendi’s erasure of Black female scholars and their contributions to each era he spoke of the outside of him using them to prop up the idea that we’ve contributed to the “hatred” and “degradation” of Black men, and you can see why I wasn’t impressed by this book.

I feel as if Kendi’s is too ambitious in the timeline he tries to cover. Yet, I understand why it is beloved by all the #AntiracistBookClubs and why Kendi has become the darling of White America as they strive to become “Anti-Racist™️”. I would just say that there are other books that express the ideas presented in this book more precisely and in a more balanced way.

What to read after reading “So Long A Letter” by Mariama Bâ

Book Cover of So Long A Letter by Mariama Bâ

“Reading is an exercise in empathy; an exercise in walking in someone else’s shoes for a while.” – Malorie Blackman

What have you been reading this February?!

This year, I have been focusing less on giving books a star rating and more on how books connect across the Africana Diaspora literary canon.

Mariama Bâ

While So Long A Letter by Mariama Bâ is by a Senegalese novel, the issues Bâ covers in this novella mirror topics that so many African-American women have written about.

Bâ speaks of female friendships and how they sustain us, like Toni Morrison in Sula and Alice Walker in The Color Purple.

She speaks of messy affairs in marriages and how love can look different for each person, like bell hooks in All About Love and Changes: A Love Story by Ama Ata Aidoo.

And when I think of scholarly theorist Bâ is communing with, Wicked Flesh by Jessica Marie Johnson and Thick: And Other Essay by Tressie McMillan Cotton, come to mind in the way Bâ stands up for female agency and independence in a society which demands that Black Womanhood appear under the thumb of the patriarchy as a thing of lesser value. Bâ writes about Ramatoulaye, her protagonist, struggle to assert herself as an educated single mother who attempts to assert herself in a society that does not see her as a valuable asset once her husband throws her to the side for his second wife.

Bâ’s writing is intriguing, and to the point, and for anyone who loves a drama-filled read that’s also character-driven, please give this a read.

What to read after The Secret Lives Of Baba Segi’s Wives by Lola Shoneyin

“I heard my old friend Clem’s voice coming back to me through the dimness of thirty years: ‘I see you coming here trying to make sense where there is no sense. Try just living in it. Respond, alter, see what happens.’ I thought of the African way of perceiving life, as experience to be lived rather than as problem to be solved.” ― Audre Lorde

Author, Lola Shoneyin

Thanks to Femi from @thebookalert, I got a chance to read The Secret Lives Of Baba Segi’s Wives by Lola Shoneyin last year, and I absolutely loved it! Thank you to @tlcbooktours & @williammorrowbooks for providing me a free copy!

Book Cover of The Secret Lives of Baba Segi’s Wives by Lola Shoneyin

Shoneyin’s story follows Baba Segi and his four wives, Iya Segi, Iya Tope, Iya Femi, and Bolanle, who are all hiding secrets from each other.

In a culture that values children, Baba Segi sees his collection of wives and gaggle of children are a symbol of prosperity, success, and a validation of his manhood. 

Book Cover of The Women Of Brewster Place

All is well in this patriarchal home until Baba arrives with wife number four, a quiet, college-educated, young woman named Bolanle. Jealous and resentful of this interloper who is stealing their husband’s attention, Baba’s three wives begin to plan her downfall.

Reading this book, I was placed in the mind of several books across the African Diaspora that are in conversation with Shoneyin’s story:

  • When it comes to the complexity and dynamics of sisterhood that Shoneyin displays in TSLIBSW, I immediately thought of The Women Of Brewster Place by Gloria Naylor and the essay, “Scratching the Surface: Some Notes on Barriers to Women and Loving,” by Audre Lorde in Sister Outsider. There’s a myth that as a feminist or womanist, you have to like everyone, and as Naylor and Shoneyin prove, this isn’t the case. Solidarity amongst women can be as simple as me wanting you to have all your rights, especially the right to stay the heck away from me.
Book Cover of Sister Outsider by Audre Lorde
Book Cover of Ain’t I A Woman by bell hooks
  • The problem of women being seen only as the bearer of children and through the lens of being the property of her husband is explored in #StayWithMe by #AyobamiAdebbayo and in Ain’t I A Woman by bell hooks. In TSLIBSW, Shoneyin does a deep dive into how catastrophic it can be to see a woman in a piecemeal way instead of seeing her as a whole being. Each of Baba Segi Wives has their own talents, but because Baba only sees his wives in reference to being child bearers, he can’t see their talents as businesswomen, homemakers, or educated women.
  • While Iya Segi, Iya Tope, Iya Femi, & Bolanle don’t make any qualms around who Baba fundamentally is as a man or the belief he holds about their culture, there is a sense of resentment that underlines their relationship with him. Each woman’s household status and, subsequently, their independence are tied to Baba’s goodwill. This symbiotic relationship reminds me of all the women’s love for Bill Cosey in Love by Toni Morrison.
Book Cover of Love by Toni Morrison
Book Cover of Decolonising the Mind by Ngūgi wa Thiong’o
  • Lastly, Bolanle’s character made me think of Ngūgī wa Thiongo’s idea of the “cultural bomb” in Decolonizing the Mind and how being educated in societies that rely too heavily on colonial or imperialistic knowledge dilutes the regional culture. Seeing how Baba’s beliefs get challenged by Bolanle’s mere presence was fascinating.

If you haven’t read this book, I highly suggest it!

#BookTour Game of the Gods by Paolo Maurensig #BookReview

Game of the Gods’ by Paolo Maurensig

Thank you to @RandomTTours, @WorldEdBooks, and @NetGalley for the advanced readers copy of Game of the Gods by Paolo Maurensig and translated by Anne Milano Appel.

If you’re a lover of Netflix’s The Queen’s Gambit (the novel of the same name by Walter Tevis) or chess, I have a novel for you! 

Set in 1930s India under British rule comes the story of chess master Malik Mir Sultan Khan. Forgotten by the world but renowned for his chess acumen, Sultan Khan is a historical figure that Paolo Maurensig reimagines from the notebooks of a fictional reporter at the Washington Post. The author fills in Sultan Khan’s life’s details using “what if” scenarios and the scraps he finds from the chess player’s history.

Photo of Malik Mir Sultan Khan

As a reader, this story was engrossing from a plot perspective. Maurensig introduced us to the character, Sultan Khan, at the end of his life, and from there, the author starts off the chess champion’s story. Going from a young village boy with humble beginnings to becoming Asia’s most renowned chess champion of his time makes the character a formidable subject. Yet, when Maurensig delved into his plotline about a blind heiress and the potential that Sultan Khan was believed to have been the woman’s killer, I tuned out.

For me, the depiction of Sultan Khan in such a stereotypical role being framed for being capable of this type of action seemed steeped in his “Otherness” as an Indian. The passivity of Sultan Khan’s character also detracted from how I interacted with the book. While reading, I felt as if this character was passive about his existence and experiences as others were moving him around. I wanted to see him become more assertive when it came to deciding his fate. Thus, while this book had masterful writing, I would have liked to see a different outcome for Sultan Khan than Maurensig provided. 

Sultan Khan playing chess

In real life, according to The Oxford Companion to Chess, Sultan Khan was a chess player that became one of the world’s top ten best chess players regardless of not being able to read or write and never learning any openings for himself since he could not study chess hooks without those skills. He was known as a “positional player” and worked best as a middle-player. Sultan Khan was deemed a “genius” by José Raúl Capablanca, a major chess prodigy of his time. Yet, as Maurensig wrote, the chess player suffered from malaria and frequent cold and throat infections during his Europe tour.

Netflix poster for The Queen’s Gambit

In 1933, Sultan Khan went back to India due to being summoned home by Sir Umar, his benefactor. At that time, Sultan Khan was given a small farmstead by Sir Umar near his birthplace in Punjab, where he spent the rest of his life. Sultan Khan’s children were quoted as saying that he wanted them to do something “more useful with their lives” than playing chess, like him. After playing his last chess game in 1935, Sultan Khan disappeared from the chess world and later died of tuberculosis.

For lovers of suspense novels and mysteries, Game of the Gods is a short read if taken as pure fiction, and the bent toward Orientalism is ignored. However, if you are looking just to pass the time, I would suggest watching “The Queen’s Gambit” on Netflix.

What Gets Left Behind – A #BookReview of #UntilWereFish by #SusannahRDrissi

Thank you to @RandomTTours and Mrs. Rodríguez Drissi for my finished copy of Until We’re Fish!

Blog Tour Dates for Until We’re Fish

In a virtual talk with Harvard Book Store, Susannah Rodríguez Drissi says of her title, Until We’re Fish, that “fish are bounty…they speak of potential.” For her, the loose translation of her title means “until [the characters] are able to claim a space for [them]selves and feel like [they] belong,” they will always feel like “fish out of water.” And nothing can be more accurate for the three main characters, Elio, Maria, and Pepe, as the reader follows them on their journey into adulthood over a span of thirty years in Cuba. 

Cover of Until We’re Fish by Rodríguez Drissi

Set from 1958 to the 1990s, Until We’re Fish by Susannah Rodríguez Drissi, is a coming-of-age story. Elio, Maria, and Pepe grow up during the tumultuous years of the Cuban Revolution. As the novel unfolds, each character is forced to make hard choices as they wrestle with the futures they desire for themselves while living in the unfair world that the revolution creates.

As a girl, Maria dreams of freedom and moving to Chicago after spending years reading the Sears catalog. However, Elio, her neighbor, only dreams of Maria and owning a Schwinn bike. In direct competition with Pepe, his friend and rival for Maria’s heart, Elio holds out hope that Maria will be his.

Author photo of Rodríguez Drissi

Rodríguez Drissi’s prose is distinct as she narrates the lives of her characters. This author’s descriptive portrayal of Cubans trying to fight to survive succeeded in drawing me in as a reader because I could picture revolutionary Cuba during the 50’s going forward. And as a lover of languages, having the author use rich references and imagery to her home country and the novel, Don Quixote, helped build suspense about what choices her characters would make regarding their lives and fleeing Cuba. However, it also drives home the point that the Cuba mainland Americans imagine pales compared to the world that native Cubans inhabit or for the world those who immigrated left behind.

Until We’re Fish is an authentic tale about survival, love, and coming of age in a world where nothing is a sure thing. Lovers of Chanel Cleeton’s When We Left Cuba and Next Year in Havana will enjoy returning to Cuba from the perspective of Cubans who were left on the island or chose to stay as revolution broke out.

My Favorite Books of 2020

For all the chaos of 2020, I had an excellent reading year.

I found myself gravitating more toward fantasy novels and doing a lot more rereading than usual as a means of escaping into “alternate realities” or books that were a comfort to me in my childhood.

Each of the featured books below are ones I loved or feel that I would revisit in the future.

The House in the Cerulean Sea by TJ Klune

This book was such a joy to read! If you loved reading fairytales as a kid or want to read more fantasy novels, this book is a must read! It’s also a wonderful audiobook.

In a year of chaos and pandemic, Klune’s novel shows the side effects of burnout on people in helping professions. The House in the Cerulean Sea also details how the child welfare system fails children over time. The characters in Klune’s novel are ones that will stay with you long after the book closes.

The Mirror Visitor Quartet by Christelle Dabos

The Mirror Visitor Quartet is such a fun series! If you love audiobooks, I highly recommend this series as a listen as opposed to being physically read! My favorite so far is the second novel in the series, The Missing of Clairdelune.

Initially published in French,  Dabos’ series is full of tomfoolery and shenanigans set around a world built on Classic Western Mythology. The main character of the series, Ophelia, is the odd one out in her family that has the gift of walking through mirrors.

Sent away to the sky palace of Clairdelune to marry Thorn, another outcast from the who has a detailed memory, Ophelia is on her own for the first time to be the person she’s always desired to be. From here, chaos ensues.

Crick Crack, Monkey by Merle Hodge

I really enjoyed reading this classic Caribbean novel by Merle Hodge.

Crick Crack, Monkey follows Tee, the main character, as she comes into her identity as a Black Trinidadian girl in a post-colonial nation. The novel was accessible and showed the differences in the class structure in this island nation.

Tee is shuttled between two aunts of varying class and economic levels and made to piece together an identity through her experiences with both. Hodge’s novel was short, but it packed a punch.

Pedagogy of the Oppressed by Paulo Freire

Pedagogy of the Oppressed gave me a lot to think about when it comes to education and liberation.

In this text, Freire argues that teachers must open dialogue and facilitate critical thinking around subjects instead of spoonfeeding students lessons to regurgitate. By opening critical discussion around issues, the educator will build stronger learners that can become self-actualized.

Coupled with this, the chapters about how the oppressed seek out liberation blew me away. The idea that everyone can be an oppressor and the oppressed gave me a lot of food for thought. This text is one I hope to revisit in the future.

Frying Plantain by Zalika Reid-Benta

The task of a first or second-generation child of immigrants is to pick up the hopes and dreams of their parents and to carry them over the threshold of success. Often times, it’s not important what that child wants, but more importantly is how they add to the legacy of their family. Thus, these children live within a confined space that is both real and imagined, between cultures that they can never honestly explain until they meet someone else with a similar burden to carry.

Kara’s story in Frying Plantain leads me to wonder, what parts of our cultures do we inherit, and what is learned as people immigrate to new places? Likewise, how does the meaning/practice of culture change as each generation gains new information and comes into contact with new technologies that shift the way that certain traditions are carried out?

The Trouble With Hating You by Sajni Patel

The Trouble  With Hating You is a South Asian take on  The Taming of the Shrew with an “enemies to lovers” storyline.

It starts cliched with the main female lead, Liya, a successful biochemical engineer sneaking out on a dinner they put together with the family of Jay Shah, a potential suitor. Unfortunately, Liya bumps into him on the way out, and of course, the two end up being forced to work together as the novel unfolds.

If you are a reader who enjoys multi-layered characters and non-generic romances, this book is for you! Jay and Liya both have a traumatic past, and Patel has each of them work through their trauma before giving them their happy ending. I appreciate that Patel showed the real aspects of trauma in a person’s life and how they play out in interpersonal relationships and across a community.

Roll of Thunder, Hear My Cry by Mildred D. Taylor

If you are in the market for a book that will make you go through all the emotions & you’re not afraid to confront hard issues, this is the one for you!In Roll of Thunder, Hear My Cry, the fourth book of the Logan Family Saga, Mildred D. Taylor takes her characters through the beginning of the Depression Era of the American South (circa 1920s to 1930’s) and the Jim Crow Era where the young Black children see the rise of the Klan, lynchings, and the fight to keep their land.

Throughout this series, Taylor has the Logan children fight for their agency as Black people before they really even know what they’re fighting for.  I’ve read this series countless times over the years, but it always hits differently each time. I highly recommend it!

Have you all read any of these books?

A #BookReview of #AUniverseOfWishes, A #WeNeedDiverseBooks Anthology – #BookTour

Thanks to Terminal Tours, I was able to get an advanced readers copy of the fantasy-themed short story anthology, A Universe of Wishes: A We Need Diverse Books Anthology. This anthology was edited by Dhonielle Clayton and included authors like Samira Ahmed, Zoraida Córdova, Kwame Mbalia, Tochi Onyebuchi, and many more authors of colors.

In her editor’s letter, Clayton talks about growing up as a reader of color and not seeing herself in fantasy novels. This was something that I could relate to. While I always had stories, like The Logan Family Saga by Mildred D. Taylor or The Skin I’m In by Sharon G. Flake, to read if I wanted to see real-world images of myself in the 90s if I wanted to read a fantasy novel with African-American characters, my pickings were slim.

With the We Need Diverse campaign inception in 2014, the field of publishing has been opened up to the point where authors of color have been given the space to tell their own stories and even been granted acclaim for their work. Even though there is more work to be done in the industry, based on the annual statistics from the Children’s Cooperative Book Center (CCBC) and Lee & Low.

Reading through A Universe of Wishes, I was pleasantly surprised to read stories, like “Liberia” by Kwame Mbalia, where readers are shown a story of where the love of one’s family takes center stage. Having Mbalia speak to African-Americans’ collectivist nature and centering the magic of this cultural trait warmed my heart.

Likewise, reading “The Takeback Tango” by Rebecca Roanhorse, where a teen thief sets out to reclaim her planet’s artifacts, is reminiscent of my favorite scene from Black Panther with Kilmonger in the British Museum. Having Roanhorse show the power that comes from taking ownership over one’s heritage is what I love to see!

As a lover of Disney’s Tangled, “Longer Than the Threads of Time” by Zoraida Córdova was also a treat. However, like so many stories in this anthology, I wanted the stories to be so much longer. 

A Universe of Wishes holds all the magic a reader could want. Having authors of color flex their muscles and show creativity outside the normal realm of “suffering” that so many BIPOC writers are pigeonholed into to get their break in the publishing industry was refreshing.

If you enjoyed this anthology, I’d highly recommend looking into all the featured writers’ works and read Her Stories by Virginia Hamilton, which was one of my favorite short story collections of African-American folktales and fairy tales as a kid.

Life In Between the Hyphen: First-Generation Characters Creating An Identity #BookReview

Book lovers, what’s a book that has helped you learn about your identity?

One of my top reads in my September Wrap Up (yes, this book review is that late) was Fruit Of The Lemon by Andrea Levy. In her novel, Levy describes the journey of self-discovery her character, Faith Jackson, takes to crafting her identity and learning about her Jamaican family’s heritage.

Cover for Fruit of the Lemon

As a first-generation child of Jamaican immigrants, who are a part of the working class, Faith is set adrift between her life in Britain and her family’s original cultural heritage. Surrounded by White friends and flatmates, Faith is the victim of casual racism and constant humiliation at her peers’ hands.

Faith’s parents and brother, on the other hand, treat her as an anomaly. To her parents, she is rudderless with no understanding of her Jamaican heritage. Yet, neither parent will tell her what she needs to know to grow closer to the country they love so dearly. Faith’s brother sees her as disconnected from her roots and writes her off as a “lost cause,” as he finds his foot in between the hyphen as a British Jamaican person.

With all these conflicting opinions about herself, it is no wonder Faith finds herself confused about who she is meant to be. It is not until a trip to the “Motherland” that Faith begins to craft an identity for herself.

What I most enjoyed about Levy’s story is that it is purely a character study. The shifts in the story feel akin to real life. Levy’s choice to explore the “hyphenated identity” of her character is something that any BIPOC person can understand regardless of their country or their economic class.

Author, Andrea Levy (Photo Credit: Liam Duke/Camera Press)

This is because we all eventually go through some metamorphosis that moves us further away from our ancestral “home base” be it through our economic status or geographical location. And due to this change, we often face scrutiny within our community and outside forces, who either see us as pretenders or as phony in how we present ourselves.

Therefore, it’s easy to understand the struggles Faith faces as she battles the remnants of colonialization and casual racism to become self-actualized.

Have you read this book?

What happens to children that are forgotten? – The House in the Cerulean Sea by TJ Klune #BookReview

“𝘚𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴, 𝘣𝘦𝘪𝘯𝘨 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘧𝘦𝘦𝘭𝘴 𝘢 𝘭𝘰𝘵 𝘭𝘪𝘬𝘦 𝘣𝘦𝘪𝘯𝘨 𝘢𝘭𝘰𝘯𝘦.” – 𝘓𝘪𝘯𝘥𝘴𝘦𝘺 𝘚𝘵𝘪𝘳𝘭𝘪𝘯𝘨

W𝙝𝙖𝙩 𝙬𝙖𝙨 𝙩𝙝𝙚 𝙡𝙖𝙨𝙩 𝙗𝙤𝙤𝙠 𝙮𝙤𝙪 𝙧𝙚𝙖𝙙 𝙩𝙝𝙖𝙩 𝙬𝙖𝙧𝙢𝙚𝙙 𝙮𝙤𝙪𝙧 𝙝𝙚𝙖𝙧𝙩?

In August, I read The House in the Cerulean Sea by TJ Klune after seeing Mara (@bookslikewhoa) rave about it on her BookTube page. Klune’s novel is one of a kind in its depiction of the child welfare state and how “unwanted” children are often herded from place to place with no real care for their wellbeing. Even though this author has placed the children in his story in an alternate world, it speaks to the plight of children who are either minority or LGBTQ+ or “hard to manage.”

Author, TJ Klune

Klune’s book starts in this “alternate” version of what seems to be London with Linus Baker, a caseworker in the Department in Charge of Magical Youth, who happens to be gay. Linus is a character who the reader will immediately recognize as a person who’s just going through the motions at work. For all those in the helping profession, you’ll recognize him immediately as a person who’s “burned out” and just going through the motions of his job.

The House in the Cerulean Sea

However, this all changes when he’s sent to check up on Arthur Parnassus and his gang of “misfit” children. The children under Arthur’s care can be seen to represent several unwanted groups of children, such as those with behavioral issues (Lucy, the Antichrist), those who are transgendered or non-binary (Talia, a female gnome, & Chauncey, an anthropomorphic blob), mischaracterized BIPOC children (Sal, a Black teenager who has been characterized as “violent” even though he’s just introverted), and the neurodiverse (Phee, a sprite who relates more to nature, & Theodore, a wyvern with limited speech patterns).

While the world and Linus at the beginning of the book view Arthur’s charges as a danger to society, he knows better. Through careful work with each child, he’s able to bring out the best in them. Sadly, this is not the route many people take when dealing with children in each of these populations, causing them more harm than good.

I will admit when I met the kids in Klune’s book, I was a little taken aback by the fact that Sal, who seems to be the only child of color, was depicted as a “were-dog.” Yet, it hit me that this was a stroke of brilliance since Sal’s transformation from being this “scary animal” that society sees him as mirrors the plight of black men everywhere once they go past the toddler stage. Sal is a victim of circumstance who has PTSD from the violence inflicted on him. He’s not only intelligent and poetic, but also the calmest child out the bunch. Likewise, the fact that Klune subtle pokes fun at the irony of dogs being highly protected by society when BIPOC aren’t had me smirking.

This book is a heartwarming tale that everyone needs to read! I gave it 4 ⭐️. It’s a book for the whole family. Checkout some of the character avatars that the publisher, TOR Forge, shared on their site below and on their website!

From top to bottom: The Marsyas Island Orphanage (@rednosestudio), The very dapper Chauncey, looking dashing as always with his bellhop attire (@mavilez_), Lucy, being the very innocent person that he is and in no way ever thinking about murder. Ever. *side eyes* (@mavilez_), & Last but not least, Talia, ready to work on her garden! Do we have any volunteers to help? (@mavilez_)

#FightLikeAGirl What would you do to achieve your dreams?: A #BookReview of #Furia by #YamileSaiedMendez

𝘛𝘩𝘦 𝘮𝘰𝘴𝘵 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 𝘸𝘰𝘮𝘢𝘯 𝘰𝘧 𝘢𝘭𝘭 𝘪𝘴 𝘵𝘩𝘦 𝘰𝘯𝘦 𝘸𝘩𝘰 𝘳𝘦𝘧𝘶𝘴𝘦𝘴 𝘵𝘰 𝘳𝘦𝘭𝘺 𝘰𝘯 𝘺𝘰𝘶𝘳 𝘴𝘸𝘰𝘳𝘥 𝘵𝘰 𝘴𝘢𝘷𝘦 𝘩𝘦𝘳 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘴𝘩𝘦 𝘤𝘢𝘳𝘳𝘪𝘦𝘴 𝘩𝘦𝘳 𝘰𝘸𝘯. – r.h. sin 

𝐅𝐞𝐥𝐥𝐨𝐰 Readers, 𝐰𝐡𝐚𝐭 𝐜𝐨𝐧𝐬𝐭𝐢𝐭𝐮𝐭𝐞𝐬 𝐚 ”Young Adult Novel” 𝐟𝐨𝐫 𝐲𝐨𝐮?

I recently received a digital ARC of Furia by Yamile Saied Méndez  from @Netgalley, and was blown away! 

Furia is the story of Camila Hassan, a soccer prodigy that lives in Rosario, Argentina. As the only daughter of a misogynistic father, Camila is forced to hide her dreams of playing soccer from her parents, who hope she will become a doctor or marry rich to help them escape poverty.

Méndez’s #OwnVoices book is everything I could ever want in a YA Novel. This author tackles feminism, the fragile male ego, domestic and mental abuse, and what life can be like for women and abandoned children in a violent and impoverished country in the Global South. And, not to mention, Méndez’s book has a “friends to lovers” romance, a sports plotline, and involves social commentary on what it means to be a woman in a culture that runs on machismo.

Earning the nickname, “La Furia,” from admirers for her prowess on the soccer field, Camila is sure that she can help save her family if given a chance. When her childhood friend, Diego, comes home from playing pro-soccer overseas, she is forced to choose between her desire to be independent and play the sport she loves or yield to her family and Diego’s wishes for her. 

Méndez navigates multiple plot lines and character development with finesse and manages to ask the bigger question of what happens in society if women are not protected and allowed to live full lives? This book has a little something for all readers.

𝐏𝐥𝐞𝐚𝐬𝐞, 𝐩𝐫𝐞-𝐨𝐫𝐝𝐞𝐫 𝐲𝐨𝐮𝐫 𝐜𝐨𝐩𝐲! 𝐈𝐭 𝐜𝐨𝐦𝐞𝐬 𝐨𝐮𝐭 𝐨𝐧 𝐓𝐮𝐞𝐬𝐝𝐚𝐲, 𝐒𝐞𝐩𝐭𝐞𝐦𝐛𝐞𝐫 𝟏𝟓!